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2020 Reviews="Hamilton" is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, "Hamilton" has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre-a musical that has had a profound impact on culture, politics, and education. Filmed at The Richard Rodgers Theatre on Broadway in June of 2016, the film transports its audience into the world of the Broadway show in a uniquely intimate way Creator=Ron Chernow 160 min

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Hamiltonian graph. Hamilton massachusetts. Lin-Manuel Miranda is a genius. Such an unbelievably unique and brilliant piece of musical theatre.
I will never miss my shot to experience this live in a theatre. Minitool utube downloader. I have watched the West End Production 3 times over the past few years and it's been a dream to see the original Broadway Cast in action. It did not disappoint. I laughed, cried and was in awe of the whole production. Lin-Manuel is a genius. Hamilton memes. Hamilton watches. Hamilton ga. Hamilton meaning. Hamilton hyundai chambersburg pa. Hamiltonov hmat.

Hamilton brown jamaica. Hamilton county assessor. Hamilton canada map. Hamilton funeral home walterboro sc. Hamilton county ny. Hamilton middle school. Hamilton township school district. Hamilton local schools. Hamilton spectator. The play is great and even a filmed version removing much of the allure of a live performance to be offered for streaming has the benefit of reaching the masses, especially during the pandemic when theatrical venues are largely closed. But, Disney's boast that the filmed version "combines the best elements of live theatre, film and streaming" is wrong. This isn't film; it's a recorded stage production.
Granted, such filmed plays, or live captures, have gotten better over the years, but besides some occasional virtuosity in an overhead view or a re-staged set-up absent an audience edited in, the multi-camera setup is basically a modest improvement on the three-camera system invented for TV sitcoms in the middle of the last century. The stage lighting isn't flat, but it's inconsistent as a result. There isn't the benefit of the single-camera style and individual lighting setups of cinema. Plus, most of the cameras are from a stationary position, and they're always of the same stage with barely altered furnishings between scenes. Even some of the actors play multiple roles. There's always the missing fourth wall; even when the camera pulls back to reveal the live audience, it's merely pushing that wall back. In short, this isn't a movie adaptation. For that, one needs to reconceive the play in cinematic terms- not just where to fit the cameras inside a theatre.
Without going through a major studio process, the gold standard for such an adaptation to my mind is Guy Maddin's "Dracula: Pages from a Virgin's Diary" 2002) which took a ballet performance intended for TV and altered the production for cameras that rather danced in collaboration with the performers in a film that also stylistically matched the mute art form of ballet with that of silent film. Moreover, Maddin's film was actually shot on real film. The difference between these two recordings couldn't be more stark. It's like calling an episode of "I Love Lucy" and "Lawrence of Arabia" 1962) both motion pictures; it may be technically true, but they're not really the same thing.
That said, the recording is sufficient enough for one to appreciate the brilliance of the theatrical musical, which does more than make founding father Alexander Hamilton cool enough to remain on the ten dollar bill. Adapting 18th and early-19th century history, as based on the book by one of the best popular biographers in the business, Ron Chernow, into a display of modern popular music and starring a largely non-white cast is aptly revolutionary and a reminder of America's multicultural history as a country of immigrants, enslaved and otherwise. That's history that continues to be lived and told. Kudos for that to Lin-Manuel Miranda, who also stars in the titular part. It also helps, of course, that the acting and songs are uniformly excellent (although, with the slight caveat that rhyming "new, as in "New York, with "new, as in "new man" wasn't particularly creative) and that it's quite funny, to boot, especially if one is familiar with the early history of the United States. Among the supporting cast, I'm especially fond of Daveed Diggs's portrayal of Thomas Jefferson, including the cabinet meetings turned rap battles between him and Hamilton.
The narrative, too, does well to establish Hamilton's relationship with Aaron Burr, foreshadowing the fatal duel. It also does its best to feature women, who, if they're not Betsy Ross or Abigail Adams, tend to hardly be mentioned in depictions of the American Revolutionary period. The play also does some interesting stagings equivalent to cinematic techniques in camera movement, tempo and montage. Actors move as if in slow motion sometimes. The floor moves characters around in lieu of crosscutting. So, indeed, enjoy streaming "Hamilton, but let's not pretend that this is photographically brilliant as well. Hopefully, the musical will be truly transmuted cinematically someday.

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